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Reviews
Review: Klown
A Danish import from Mikkel Nørgaard
You might think you know what you're in for from the Odd Couple -like music of the opening titles of this Danish import from Mikkel Nørgaard — a movie version of his sitcom Klovn — until an animated sperm cell penetrates his director credit.
By:
BRETT MICHEL
| August 01, 2012
Review: The Watch
A lapse in good taste
The Watch is hard to watch.
By:
PETER KEOUGH
| August 01, 2012
Review: The Well-Digger’s Daughter
Based on the novel by Marcel Pagnol
Daniel Auteuil ( Manon of the Spring ) directs and stars in this melodrama set in Provence during World War I.
By:
PEG ALOI
| July 24, 2012
Review: Step Up Revolution
Abstractly beautiful
The ne plus ultra of “guilty pleasures,” the Step Up movies are willfully naive, awkward, and irresistible.
By:
PATRICK Z. MCGAVIN
| July 26, 2012
Review: The Queen of Versailles
You couldn’t invent a better metaphor for America’s economic injustice and insanity.
By:
PETER KEOUGH
| July 27, 2012
Review: Sacrifice
Historical melodrama
Adapted from a 13th-century stage play, this historical melodrama seems torn between trying to be a theatrical fable and a flashy action film.
By:
JAKE MULLIGAN
| July 24, 2012
Review: Hara-Kiri: Death of a Samurai
Takashi Miike brings back samurai movies
Takashi Miike seems to be single-handedly bringing the samurai movie back to its former glory; first with 13 Assassins , and now this gripping remake of Kobayashi’s classic attack on the honor code within the samurai class.
By:
MILES BOWE
| July 24, 2012
Review: Farewell, My Queen
Adapted from Chantal Thomas’s novel
The gifted French director Benoît Jacquot specializes in movies about the emotions of young women.
By:
PATRICK Z. MCGAVIN
| July 24, 2012
Review: The Dark Knight Rises
Not so serious
No other superhero has less fun than the Batman (Christian Bale) of Christopher Nolan's Dark Knight trilogy.
By:
PETER KEOUGH
| July 18, 2012
Review: Unforgivable
Voyeurism and narcissism
Lucky for André Téchiné that he's so slick with exposition.
By:
PETER KEOUGH
| July 17, 2012
Review: The Day He Arrives
Variations
"Stop copying me!" says Seong-jun (Yu Jun-sang), the has-been filmmaker at the center of the 12th cinematic Mobius strip from Hong Sang-soo.
By:
BRETT MICHEL
| July 17, 2012
Review: Trishna
Tess of the D'Urbervilles set in present-day India
If nothing else, Michael Winterbottom's updating of Tess of the D'Urbervilles to present-day India proves that Thomas Hardy will depress you no matter what the setting.
By:
PETER KEOUGH
| July 17, 2012
Review: Ballplayer: Pelotero
Striking out
Ballplayer initially declares that it is about dreams, ambition, and family struggles, but by focusing almost entirely on money and market values, it strikes out.
By:
MILES BOWE
| July 10, 2012
Review: Ice Age: Continental Drift
It's all been done
Perhaps you've seen "Scrat's Continental Crack-Up," the animated short that debuted theatrically a year and a half ago featuring the sabre-toothed squirrel causing a prehistoric tectonic cataclysm as a result of his pursuit of an elusive acorn.
By:
BRETT MICHEL
| July 12, 2012
Review: Neil Young Journeys
Young having the time of his life
Young is old now, and in Demme's film, looking like a stubbly coot in a battered Panama hat, he's having the time of his life.
By:
PETER KEOUGH
| July 10, 2012
Review: Sleepless Night
Frédéric Jardin's expert thriller
"We're in deep shit," says one of the perpetrators of a bungled drug heist in Frédéric Jardin's expert thriller. It's about to get deeper.
By:
PETER KEOUGH
| July 10, 2012
Review: Drunkboat
Hamming it up
Despite a title taken from Rimbaud's poem, Bob Meyer's debut has less in common with the wunderkind symbolist than with David Mamet and the Coen Brothers.
By:
PETER KEOUGH
| July 11, 2012
Review: Natural Selection
Robbie Pickering's road movie
So memorable as Ed Helms's harridan wife in The Hangover , Rachael Harris is a natural for a lead role.
By:
BRETT MICHEL
| July 03, 2012
Review: Beasts of the Southern Wild
Benh Zeitlin's folk tale
One of the most assured debuts in years, Benh Zeitlin's folk tale is a portrait of the wonder and heartbreak that comes with being too young to understand what you experience.
By:
JAKE MULLIGAN
| July 06, 2012
Review: Magic Mike
Reviving the '80s beefcake genre
After January's Haywire , director Steven Soderbergh revives another genre, the '80s beefcake buffet, with better results than could have been expected.
By:
NICK JOHNSTON
| July 03, 2012
Review: The Amazing Spider-Man
Only one story
There's only one story, says the teacher near the end of this take-two of the Spider-Man franchise: who am I?
By:
PETER KEOUGH
| July 03, 2012
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