The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
Books  |  Dance  |  Museum And Gallery  |  Theater
GG-1000x50

Review: ART's The Blue Flower

By CAROLYN CLAY  |  December 14, 2010

For Scott Sinclair's production, the Calderwood's Deane Hall has been configured as a combination cabaret and theater, with the show set up like an intimate concert, its three casually costumed performers deployed on a small stage with headsets and their instruments. Lighting is flashy; visual effects are of the computer-generated variety. The plot centers on Grumpy Guy (keyboardist and musical director José Delgado), who decides to bag New Year's Eve despite the admonitions of a party-throwing friend (drummer Zachary Hardy) and stay home "in my stocking feet with an ice-cold beer." There he is visited by a salesperson of full-spectrum holiday lights intended to combat seasonal affective disorder (electric-violinist Erikka Walsh). This brings to mind Hans Christian Andersen's bleak fairy tale "The Little Match Girl," which Grumpy Guy just happens to have at hand. Enraged by his re-reading of the story, in which prosperous celebrants hustle toward their warm hearths while its heroine goes to her cold reward, he vows to turn over a new leaf.

GrooveLily's Valerie Vigoda and Brendan Milburn collaborated on Striking 12 with Rachel Sheinkin, who won a Tony for the book of The 25th Annual Putnam County Spelling Bee. So you can expect some cleverness, especially on "Screwed Up People," a funky ditty explaining that Andersen was not the best-adjusted human being in 19th-century Denmark. Less anticipated but welcome is a Gilbert-and-Sullivan-worthy recitative by the lightbulb saleswoman in support of her product. And the electric violin gives the score a Celtic-tinged, otherworldly feel that sometimes lifts it out of the generic. But the material is so slight that the performers have to push it. Despite their efforts and the presence of all those matches, Striking 12 does not catch fire.

< prev  1  |  2  |  3  | 
Related: Of myth and men, Endgame at the ART, Tough neighborhoods, More more >
  Topics: Theater , American Repertory Theatre, American Repertory Theatre, calderwood pavilion,  More more >
| More
Add Comment
HTML Prohibited

 Friends' Activity   Popular   Most Viewed 
[ 12/18 ]   Blue Heron Renaissance Choir  @ First Congregational Church
[ 12/18 ]   Boston Santacon 2010  @ Asgard
[ 12/18 ]   Cassavettes [Last Show Ever!] + Luxury + Autumn Hollow Band  @ Middle East Upstairs
ARTICLES BY CAROLYN CLAY
Share this entry with Delicious
  •   REVIEW: ART'S THE BLUE FLOWER  |  December 14, 2010
    The stem of The Blue Flower is its compelling score, an unusual mix of Weimar cabaret and country heartache onto which husband-and-wife creators Jim and Ruth Bauer have grafted a somewhat skeletal story that nonetheless encompasses the first half of the 20th century and then some.
  •   REVIEW: FRANKIE AND JOHNNY IN THE CLAIR DE LUNE  |  December 07, 2010
    What could be more heartwarming for the holidays than a couple of middle-aged losers getting naked?
  •   REVIEW: THE FEVER CHART  |  December 01, 2010
    In The Fever Chart — Three Visions of the Middle East , Naomi Wallace does not so much take the temperature of that splintered region as invade its dreams.
  •   MORALITY PLAY  |  November 23, 2010
    The ghosts of Arthur Miller and Sam Shepard hover over Vengeance Is the Lord's in its world premiere by the Huntington Theatre Company.
  •   REVIEW: TWO WIVES IS A ROAMING HOLIDAY  |  November 08, 2010
    A hectic if underpopulated Indian travelogue celebrating both love beginning and love being let go of.

 See all articles by: CAROLYN CLAY

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2010 The Phoenix Media/Communications Group