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MARGARET

Kenneth Lonergan offers no resolutions in this dense and ambiguous film, unless it's that the only resolutions in life are in art. Anna Paquin plays a spoiled teenager who witnesses an accident, plunging her into an adult world of guilt, injustice, recriminations, and lawsuits. Her initiation proceeds with indirection, and includes a rocky relationship with her actress mother, whose career she holds in contempt. In fact, most of the characters despise the theater, as well as film, opera, and literature — and then they realize that they're the only consolations we've got.

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ARTICLES BY PETER KEOUGH
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  •   REVIEW: PARIAH  |  January 03, 2012
    Compared to the non-stop trauma of Precious , or even Gun Hill Road , Dee Rees's first feature plays like an episode of The Cosby Show .
  •   HOLLYWOOD OFFERS BOTCHED OPERATIONS AND ALTERED LIVES IN 2012  |  December 28, 2011
    Those who got a thrill last spring when the SEALS took out Osama bin Laden will have more of the same covert ass-kicking to look forward to in theaters as we enter 2012.
  •   THE BEST FILMS OF 2011 ARE NOT THE BALLYHOOED  |  December 21, 2011
    The films this year were kind of like the current field of Republican presidential candidates: some are entertaining, but there's no clear frontrunner, and there's more attention on the flashiest and least substantial than on the more thoughtful and genuine.
  •   REVIEW: THE GIRL WITH THE DRAGON TATTOO  |  December 20, 2011
    Unfortunately, Fincher doesn't add much to Niels Arden Oplev's Swedish version: more Googling and plot-compressing montages and an altered but still convoluted ending.
  •   REVIEW: THE ADVENTURES OF TINTIN  |  December 20, 2011
    I don't know how fans of the title hero are going to take this adaptation, since I'm not familiar with the classic Hergé comic strip on which it's based, but followers of Steven Spielberg might regard it as a second-rate, animated Indiana Jones.

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