PROJECT NIMFour decades ago Herb Terrace, a linguist, took the infant chimp Nim and resettled him in the well-to-do family of Stephanie, a former student (and lover). The purpose: to teach Nim sign language and prove that chimps can use it to communicate. Inevitably, the experiment revealed more about the humans than about the animal. As he grew older, Nim developed an Oedipal relationship with Stephanie. "It was the '70s," Stephanie says as she recalls how the ape pawed her body. Absurd, sad, and hilarious, James Marsh's documentary is a tragedy of human hubris.
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5 of 11 (results 11)
Related:
Review: Tetro, Review: Irene in Time, Review: The Slammin' Salmon, More 
- Review: Tetro
Francis Ford Coppola made one perfect picture, The Conversation , in 1974.
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Luckless in love, Irene (Tanna Frederick) wants to "find a guy like my daddy." Her father, she says (over and over and over), "was really magical." Truth be told, her absent dad doesn't seem like that great a guy.
- Review: The Slammin' Salmon
Here's how the shit version of Waiting likely came to be: the Broken Lizard boys (David Heffernan directs) thought the concept of a boxing-champ-turned-Miami-restaurateur was funny, and they wrote and shot a major motion picture without bothering to design a plot.
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Poetry, muses Nelson Mandela (Morgan Freeman) in a reflective moment in Invictus , consists only of words, yet it can inspire perseverance and greatness beyond our own expectations of ourselves. Sport, similarly, consists of oversized, overpaid athletes pounding one another in simulated combat, but it's also a form of poetry.
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In view of its credentials, Armored should be a lay-up.
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With Orson Welles, it's all in the voice — which over the course of four decades could sell anything from a Martian invasion to Paul Masson wine.
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Operation Enduring Freedom seems to have replaced Vietnam as Hollywood's go-to military quagmire from which to dredge gut-wrenching meditations on the psychological carnage of war.
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It's complicated, and so are my feelings about Nancy Meyer's predictable and overlong boomer-bait rom-com.
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Alan Cavalier's sleek noir rescued from 1962 obscurity
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